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kurpal_v2 wrote:You know you just said you rathered build a box than cut two risers right?
Jus saying.
gt4tified wrote:Let’s pick up this topic where we left off....but amend it to include pro audio processing equipment...like the DBX driverack PA...what are your takes on this ppl?
gt4tified wrote:why would you want to incorporate a compressor/limiter into a car audio system, which is primarily for playback audio, unless you want to incorporate a microphone to sing the national anthem.
kurpal_v2 wrote:gt4tified wrote:why would you want to incorporate a compressor/limiter into a car audio system, which is primarily for playback audio, unless you want to incorporate a microphone to sing the national anthem.
In a technically correct system you can use the compressors to make changes to the signal smoother therefore making the transitions less noticeable to the listener?
gt4tified wrote:But in competition, this may be detrimental as it can affect the ambient qualities of the recorded sound stage.
DJ Q wrote:To get the sound of components from pro audio speakers
-Roach- wrote:DJ Q wrote:To get the sound of components from pro audio speakers
-1.. Can Never Happen.
nervewrecker wrote:-Roach- wrote:DJ Q wrote:To get the sound of components from pro audio speakers
-1.. Can Never Happen.
yea?
People are now using pro audio speakers in 3 way component sets with great results.
DJ Q wrote:To get the sound of components from pro audio speakers, you will need:
- Bullet Tweeters
- High Mids
- Low Mids
nervewrecker wrote:-Roach- wrote:DJ Q wrote:To get the sound of components from pro audio speakers
-1.. Can Never Happen.
yea?
People are now using pro audio speakers in 3 way component sets with great results.
-Roach- wrote:nervewrecker wrote:-Roach- wrote:DJ Q wrote:To get the sound of components from pro audio speakers
-1.. Can Never Happen.
yea?
People are now using pro audio speakers in 3 way component sets with great results.
Who DIS?... ...On A Real Though... I Would Like To Hear This...
nervewrecker wrote:most go down to approx 60
some go down to 50
and few go down to below 50.
People have been using comps that fall within the first bracket I mentioned with great success. The issue of having a comp set go down to below 50hz has bothered me forquite awhile because of the costs of those sets, I actually considered using a sub for the driver. It has already been done in here too with great results.
nervewrecker wrote:50hz has bothered me for quite awhile because of the costs of those sets, I actually considered using a sub for the driver. It has already been done in here too with great results.
kurpal_v2 wrote:-Roach- wrote:nervewrecker wrote:-Roach- wrote:DJ Q wrote:To get the sound of components from pro audio speakers
-1.. Can Never Happen.
yea?
People are now using pro audio speakers in 3 way component sets with great results.
Who DIS?... ...On A Real Though... I Would Like To Hear This...
Show up to an ICE/IASCA/MECA event, simple as that.
DIS using zapco i-force afaik.nervewrecker wrote:most go down to approx 60
some go down to 50
and few go down to below 50.
People have been using comps that fall within the first bracket I mentioned with great success. The issue of having a comp set go down to below 50hz has bothered me forquite awhile because of the costs of those sets, I actually considered using a sub for the driver. It has already been done in here too with great results.
I maybe confused but why do you want your midbass to play subbass?
kurpal_v2 wrote:Next ICE event I could pick you up and have you home by 10/11am.
Brian Steele wrote:gt4tified wrote:But in competition, this may be detrimental as it can affect the ambient qualities of the recorded sound stage.
Compression might actually be beneficial. Two reasons come to mind: (1) to reduce the possibility of any noticeable distortion caused by clipped signals, and (2) to improve the audibility of older recorded material (and any material recorded with a high dynamic range) in the usually noisy car audio environment. Note: Most modern "pop" music is already heavily compressed (unfortunately), so there will be less noticeable benefit if that's your choice of music.
gt4tified wrote:Maybe you didn't read what I wrote properly, or maybe I wasn't clear enough.
GVTrini07 wrote:Assuming that the term DJ Vs Components is used loosely…
What distinguishes DJ Speakers from Components? Is it Ohms? Is it Frequency Response? Is it sensitivity? Is it size? Is it that one comes complete with Passive Cross, woofer and tweeter and the other is just a Raw Driver? Is it that the Mfg describes product A as DJ and product B as component?
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