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nervewrecker wrote:Finally someone I can converse with. When I tell people if you listen carefully the machines speak to you they think I'm crazy. But as of late a lot of people have me questioning my sanity and they tend to be in large numbers.sMASH wrote:Nah nah nah. Every moving part has its signature.nervewrecker wrote:Listen off one amp for a long while and then swap for another. You will hear differences.sMASH wrote:I don't understand lyrics in songs much, but u see noise in the plant, I pick up the slightest deviation in pitch, tone, level, pattern... Even if is background. Like I monitor is subconsciously and pick up on it like dogs.
But what I was trying to show, is that rovin ability to hear the difference in full bridge and half bridge, has some explanation.
I personality don't have enough exposure to different systems, to detect any difference.
Once it eh buzzing, I usually gud.
As a younger guy in the hobby everything sounded the same. After graduating to higher end stuff when I took a listen to the stuff I had before it was night and day.
You will not hear it right away or you swap a week apart.
I thought was just me does pick up on differences in sounds from motors and turbines amongst all the noise on the plant. Even the tone of the sound emanating from a power transformer says a lot.
Some are more distinct than others.
If u ever watch the series 'the expanse', that mechanical quirk plays a significant part in the show.
Truth be told, I don't even recall the last time I watched tv or seen a movie. Only this week a friend took me out to see a movie but prior to that, I can't recall when last.
timelapse wrote:Two words my guy:rollingstock wrote:I rate the Pyle driver with the bump on the motor more than the funky pop. Cerwin Vega did the orange surround better too.
Nippon America
Aiming fur that effect, but with 3krmsruffneck_12 wrote:nervewrecker wrote:Finally someone I can converse with. When I tell people if you listen carefully the machines speak to you they think I'm crazy. But as of late a lot of people have me questioning my sanity and they tend to be in large numbers.sMASH wrote:Nah nah nah. Every moving part has its signature.nervewrecker wrote:Listen off one amp for a long while and then swap for another. You will hear differences.sMASH wrote:I don't understand lyrics in songs much, but u see noise in the plant, I pick up the slightest deviation in pitch, tone, level, pattern... Even if is background. Like I monitor is subconsciously and pick up on it like dogs.
But what I was trying to show, is that rovin ability to hear the difference in full bridge and half bridge, has some explanation.
I personality don't have enough exposure to different systems, to detect any difference.
Once it eh buzzing, I usually gud.
As a younger guy in the hobby everything sounded the same. After graduating to higher end stuff when I took a listen to the stuff I had before it was night and day.
You will not hear it right away or you swap a week apart.
I thought was just me does pick up on differences in sounds from motors and turbines amongst all the noise on the plant. Even the tone of the sound emanating from a power transformer says a lot.
Some are more distinct than others.
If u ever watch the series 'the expanse', that mechanical quirk plays a significant part in the show.
Truth be told, I don't even recall the last time I watched tv or seen a movie. Only this week a friend took me out to see a movie but prior to that, I can't recall when last.
Even powersupplies have a sound.
I have a phone charger that makes a different faint high pitch whine depending on the load. Inductor whine.
And some graphics cards have inductor whine issues at high load as well.
I kinda on the fence with this, everything really does have a characteristic sound. But I believe a good manufacturer can engineer out those things. Maybe I hadda listen to more amps.
I just have experience with material resonances and speakers/boxes themselves having distinctive timbres due to how the material itself resonates.
A paper cone speaker sounds more natural than a plastic cone.
Silk/plastic dome tweeters are less harsh than metal diaphragm.
Metal guitar strings have more upper end zing than nylon.timelapse wrote:Two words my guy:rollingstock wrote:I rate the Pyle driver with the bump on the motor more than the funky pop. Cerwin Vega did the orange surround better too.
Nippon America
Fax as well.
I had a ten inch with the opaque white cone, Purple foam surround.... Suspension was loose as a MF but that FS was low as hell dread.
Had it in a 2cft box on like 10watts of power and it used to shake my groove ply wall VISIBLY
Rovin wrote:at d time us$ was readily available & iirc was around tt5 to 1 so it was worked out better to bring in compared to d local prices & variety ...
I have noticed something about the db drives. I see many very new ones second hand.Rovin wrote:i carry db drive G5 8s 900rms $1495 ...
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