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Canon DSLR shooters, looking for some opinions

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Canon DSLR shooters, looking for some opinions

Postby guru » March 23rd, 2009, 9:57 pm

Looking at the
Canon EF 24-70mm f/2.8L USM ~ $1,190.00
vs the
Canon EF-S 17-55mm f/2.8 IS USM ~ $1,098.98

links lead to reviews..

Thoughts? Anyone has experince with these lenses?

Tho the EF-S is of course not FF compatible, the review states "At all overlapping focal lengths and apertures, the 17-55 is sharper than my Canon EF 24-70mm f/2.8 L USM Lens. "

Currently using a 50D -if the rumoured 500D on march 25th manifests with the specs they say it will, i might be going that oute for a secondary camera vs a 5dMk2...

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Postby tr1ad » March 23rd, 2009, 10:14 pm


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Postby Duane 3NE 2NR » March 23rd, 2009, 11:09 pm

Canon EF 24-70mm f/2.8L USM

great lens - very versatile and it will work on a full frame camera later on in your photography adventures.

besides if you want 17mm then buy a good Canon 10-20mm that will be able to handle all your wide and ultra wide needs

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Postby guru » March 26th, 2009, 3:43 pm

Thanks! Wots your take on the 500? sounds like a great backup to the 50D

So what we have here is almost the exact sensor from the 50D—a 15.1 megapixel CMOS with sensitivities up to ISO 12,800 at its top-end H2 boost setting. And almost the exact same HD capture from the 5D Mark II—the only change is that 1080p video is captured at 20fps, down from the 5D Mark II's 30fps. You can step down to 720p video at 30fps, though, for the same buttery smoothness we've seen on the 5D Mark II. Other aspects of the video capture mode have actually been improved over the 5D Mark II though, which we'll get to in a second.

But as far as the specs go, it's almost a pure hybrid of the 50D and 5D Mark II, two cameras that are decidedly more pro-leaning, positioned into the top-end of their entry-level Rebels (above the XS and XSi). Crazy stuff:

• H.264 video capture @ 1080p/20fps and 720p/30fps with mono sound
• DIGIC 4 processor
• Nine-point autofocusing
• 3.4fps burst shooting for 170 JPEGs or 9 RAW files
• The 50D's lens peripheral illumination correction
• Three-inch, 920,000-dot LCD (same as the 5D Mark II's)
• Built-in sensor dust removal system
• Live view
• Canon's "Creative Auto" mode for light exposure tweaks on full-auto
• Saves to SD/SDHC cards (class 6 or higher recommended)
• $899 with kit lens, $799 body only, available early May"

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